“Sam Cherry’s Last Shot” from the first record was a teaser for this unique take on a western. But this time, there is no singing, no melodies, just narration of a western tale from Kenny-Smith’s father, Broderick Smith. The same garage rock production from 12 Bar Bruise makes a return. For a sophomore effort, this is an odd choice, but Gizzard made it work. The second Gizzard record is the true oddity in their catalog: a spaghetti western.
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